My first webinar is tomorrow (it's in Russian!): 7 New Ways To Make Money With Music In 2012

Look forward to gaining lots of new experience (and having fun!) tomorrow, February 4th.

Xssr-webinar-4-feb-2012-flyer
If you speak / understand Russian (sorry to everyone else, I will definitely be doing virtual workshops in English soon), join my webinar for XSSR Online Academy at 5PM Moscow time.

More info is available here.

PS: Yes, and this flyer was made in about 5 minutes with Phoster. Loving the app.

Filed under  //  business   tips   webinar   xssr  
Posted by Andrew Apanov 

Twitter's basic guide for journalists

Welcome to #TfN. Inside, you’ll find resources to help you and your organization at every step of the reporting and publishing process.

We want to make our tools easier to use so you can focus on your job: finding sources, verifying facts, publishing stories, promoting your work and yourself—and doing all of it faster and faster all the time.

We know you come from different generations. Some are native to the pilcrow, others native to the hashtag. You began your careers in different media: radio, print, broadcast, online and mobile. But you share a common bond: the desire to make a difference in the world, bringing reliable information to the communities you serve.

If you missed it, this is "Twitter for Newsroom" - an official guide from the company. It is really simple, but if you are new to Twitter (and have a media background), be sure to check it out.

Filed under  //  guide   journalism   tips   twitter  
Posted by Andrew Apanov 

How To Be Heard By The Film Industry

How do you find your music?

When asked how music supervisors find their music, the panel seemed to be excited and timid in equal measure, as if the key to their success was about to be exposed or courageously introduced to the public. Jim spoke first, saying “I send out a music search”, while Marcy went a bit further in depth, “I go to production companies, and love to find young composers who want to get in on it.” Alethia Austin, supervisor for The Cursed replied, “[I prefer] Indie artists. I like to look to them to be our music supervisors. [Indie artists] have the opportunity to set the tone and mood for a project. We like to be appealed to. I also like to receive physical copies when I’m being pitched to.”

The mention of physical copies rallied a kind of discussion on which was actually better: physical copies or an emailed Mp3. Some said it was nice to have an actual CD sitting on your desk, one that is easily stowed away and retrieved at the right time. While others, less convinced of the material clutter, stuck to the ways of the Internet, giving others the advice to post tracks on file-sharing websites.

What are some other things songwriters should know when sending songs to you?

Marcy Bulkeley: “Include your instrumentals!”

Andrea Von Foerster: “Include info in links.”

Alethia Austin: “Give us a description of the music. It can be as simple as telling us the feel, sound, mood, etc. We remember that.”

Jon Ernst: “Don’t fade out music. Hard in, hard out.”

Richard Glasser: “Songwriters, get in with editors!”

These short quips of wisdom also led to a “What not to send” list.

Another post that seemed really popular among the adorable @matterandrew Twitter followers. Although they are simple, these tips are really useful!

Filed under  //  films   licensing   tips  
Posted by Andrew Apanov 

How to manage Twitter account with TweetDeck [Basic Musician's Guide]

Media_httpwwwtildeeco_zazue

If you are not on Music On The Dot newsletter list yet or just missed this, here is a beginner's tutorial on using a popular Twitter tool called TweetDeck. Hope some of you will find it useful. What do you think on the guide's format?

Filed under  //  guide   service   tips   twitter  
Posted by Andrew Apanov 

Musicians, think carefully on how you name your bands

Vivabrother1resized

A story from a press release received this week, which caught my attention:

The U.K. band BROTHER have changed their name to VIVA BROTHER after a legal challenge by another band named “Brother.” The U.K. band Brother, with their increasingly high profile in America, came to the attention of the other band - an Australian 'powerhouse celtic tribal trio' based in the USA that combine 'the deep pulse of the didgeridoo, the soaring highs of the bagpipes, and tribal percussion.'

In the spirit of The Chemical Brothers and Santigold before them, the band decided that life would be simpler if they changed their name for the world rather than just the USA, and avoided a battle in the US courts - Viva Brother were born. They were briefly called 'Brother UK' in the USA, like the Charlatans UK before them, but the geographical addition to the word Brother was not accepted in this new digital age.

Good for the band, since I think "Viva Brother" will be more searchable than "Brother" (just a little bit!), but want to repeat what I have been saying times before - in today's world, think very carefully while naming your musical act.

That's kinda sweet way to comment on the name change though:

Lead singer Lee Newell said, 'A long time ago in a galaxy far far away three men decided one day that it would be a good idea to start a band called Brother. Many, many years later four frighteningly handsome devils in the desolate, post apocalyptic wasteland of Slough decided to do the same thing. But something called "litigation" got in the way. However with this out of the way we do finally feel free. Brother is dead. Long Live VIVA BROTHER!’

Filed under  //  artists   news   tips  
Posted by Andrew Apanov 

40 Tried And Tested Twitter Tips

FINDING FOLLOWERS

  1. Engage, engage, engage. Repeat.
  2. Want to know how not to get somebody to follow you? Ask them.
  3. If you tweet it, they will come. Behave in the manner with which you wish to be noticed, and write about the subjects you wish to discuss. (Or do the opposite and crash and burn.)
  4. All the following systems, Twitter trains and that kind of thing are complete garbage. Don’t waste your time or (in some cases) money. However, mass following people does work. Assuming, that is, you’re happy with a large but empty network of eternal strangers, none of whom are paying the slightest bit of attention to you. Ever. Hey – at least you’re all like-minded.
  5. Strive for 100 true fans, and be remarkable. The rest will take care of itself.

TWITTER ETIQUETTE

  1. Avoid text speak – if you can’t squeeze a proper sentence into 140 characters (or, ideally, less), try, try again.
  2. Find the balance between being overly negative and happy clappy trappy. Neither camp is enormously popular except with others like them. Don’t be somebody you’re not, but if the real you is a jerk, a sap or a fraud, you should probably work on it.
  3. It goes without saying, but trolls, bullies, spammers and stalkers are not welcome. (Try MySpace.)
  4. Act as if.
  5. Don’t send people automated ‘welcome!’ direct messages when they start following you. We hate that stuff. Again, never automate anything.

Wanted to share this post I tweeted about last week once again. If you use Twitter, the full article is a must-read.

Filed under  //  management   social   tips   twitter  
Posted by Andrew Apanov